Neil Welch, Continuous Resonance Project
Location: Performance Hall at Chief Sealth High School. Seattle, WA
Instrument: Tenor saxophone
This morning I searched for an approach to the instrument I have not yet taken. I worked in vain for some time, reflecting on my current improvisatory interests and thinking about the directions I would like to explore further. I decided to enter into this goal through the modus of singing into the horn, a technique that seems to occupy a lot of my artistic effort these days. As I’ve worked primarily on creating harmonic texture with two or more total tones, I decided to focus instead on single pitches. I often sing unison pitches into the horn, but rarely do I ever simply sing into the instrument without actually sounding a played pitch. I decided to focus during this improvisation on singing with my voice alone into the horn while exploring fingerings against the flow of my air. I then incorporated slap tonguing into the sound spectrum. I found that the room became an absolute essential part of the resultant sounds explored here.
The image accompanying today’s post by Andre Gilbert Schmucki.