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Neil Welch

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03302016.jpg

03/30/2016 (Continuous Resonance Solo Project)

May 17, 2018

Neil Welch Continuous Resonance Solo Project 2016

Date: 03/30/2016

Location: Practice Room C at South Whidbey High School. Langley, WA (Whidbey Island)

Instrument: Soprano saxophone

Notes:

This improvisation explored a common pitch center with melodic actions occurring above and beneath it. I used primarily tempered pitches during this piece with occasional deviations into looping phases of overtones and multiphonics. The mid-register punctuations were created through flicking open the side G key, a key (at least to my knowledge) unique to more modern soprano saxophone exclusively.

The image Trembling Landscapes-Beirut accompanying the post today by Ali Cherri.

03/29/2016 (Continuous Resonance Solo Project)

May 17, 2018

Neil Welch Continuous Resonance Solo Project 2016

Date: 03/29/2016

Location: Main performance hall at Chief Sealth International High School

Instrument: Tenor saxophone

Notes:

To record this improvisation I placed my mic in the back of the large hall, and I played about 50 feet away from it with my horn pointed towards a wall. The room captured a wide array of sounds from the horn during this piece, including percussive key clacking, lower register difference tones, and layer upon layer of polyphonic chords. This work was inspired by and dedicated to there Seattle percussionist Evan Woodle and his recent lengthy work for solo drums.

The image Instrumentals accompanying the post today by Shannon Exner.

Photo credit: Peter Daniels 

Photo credit: Peter Daniels 

March 26, 2018
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February 23, 2018
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Mixing in February for new album, scored for solo saxophone and large ensemble

February 23, 2018

Over the past two years I've worked like a mad dog to compose and re-compose a large ensemble piece entitled Concepcion Picciotto. This work is scored for saxophone section, string trio, rhythm section and mezzo soprano voice. I began work on this piece weeks after the passing of the peace activist Concepcion Picciotto, who held a 30+ year protest in front of the White House in advocation for nuclear disarmament. The work explores lengthy passages that reflect the seasons on her vigil--the beating sun, rain, accosting and imprisonment from police. It's my hope that this work will be performed again and again honor of a truly extraordinary person. 

The second half of the record is a piece for solo saxophone called Puhpohwee. Here is an artistic statement from a performance a while back:

"There is a word, 'Puhpohwee,' which in the Potawatomi Native American language translates as 'the force which causes mushrooms to push up through the Earth overnight." In some cultures language serves to illuminate the world rather than simply describe it. These languages express old things, old feelings and archaic values of the land. This solo composition is my reflection on the nature of indigenous language and its influence over our perception of the world. Through this composition I hope to give the listener a richer view of my own world, a view which might otherwise not be possible with my native tongue."

I'll be in the studio in the next few weeks finishing up work on this new record, which will be released later in 2018.

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