Neil Welch, Continuous Resonance Project
Date: 01/23/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically
The image “The Start of the Rain” accompanying this post by Hernan Bas (2004).
01/31/2014 (Continuous Resonance Project)
Neil Welch, Continuous Resonance Project
Date: 01/31/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically
The image accompanying this post by Marc Riboud.
Notes:
This morning I spent a few hours in a coffee shop on the island. Sitting in the empty front room, I read from “A People’s History of the United States” by Howard Zinn, of which I’ve been working my way through this past month. I’m currently on the chapter “Impossible Victory: Vietnam.” I was particularly horrified by the description of the My Lai killings:
“There was an order to shoot by Lieutenant Calley, I can’t remember the exact words–it was something like ‘Start Firing.’
"Meadlo tuned to me and said: 'Shoot, why don’t you shoot?’
"He was crying.”
“I said, 'I can’t. I won’t.’
"Then Lieutenant Calley and Meadlo pointed their rifles into the ditch and fired.
"People were diving on top of each other; mothers were trying to protect their children…”
(quotations from “A People’s History of the United States” by Howard Zinn).
01/30/2014 (Continuous Resonance Project)
Neil Welch, Continuous Resonance Project
Date: 01/23/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically
The image accompanying today’s post by Christiane Baumgartner (2011).
01/27/2014 (Continuous Resonance) "Throat Singing" improvisation.
Neil Welch, Continuous Resonance Project
Date: 01/23/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically
Notes:
Throat singing technique with a Concert G fundamental. I sang tones on and within the concert pitches D and C, all of which were below the G root. I primarily used a single fingering, which was as follows:
(Left Hand) 1-2-3, Low Bb // (Right Hand) 2-3. I also occasionally opened the Low Eb key, and Octaves keys in combination with this fingering as well.
The image “Schwarzes Loch” accompanying today’s post by Jjorn Dahlem (2004).
01/23/2014 (Continuous Resonance Project)
Neil Welch, Continuous Resonance Project
Date: 01/23/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically
The image “Observation: The Sun-3” accompanying today’s post by Hiroshi Yamazaki (February 2, 1978).