Neil Welch, Continuous Resonance Project
Date: 01/23/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically
The image accompanying today’s post by Christiane Baumgartner (2011).
Neil Welch, Continuous Resonance Project
Date: 01/23/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically
The image accompanying today’s post by Christiane Baumgartner (2011).
Neil Welch, Continuous Resonance Project
Date: 01/23/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically
Notes:
Throat singing technique with a Concert G fundamental. I sang tones on and within the concert pitches D and C, all of which were below the G root. I primarily used a single fingering, which was as follows:
(Left Hand) 1-2-3, Low Bb // (Right Hand) 2-3. I also occasionally opened the Low Eb key, and Octaves keys in combination with this fingering as well.
The image “Schwarzes Loch” accompanying today’s post by Jjorn Dahlem (2004).
Neil Welch, Continuous Resonance Project
Date: 01/23/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically
The image “Observation: The Sun-3” accompanying today’s post by Hiroshi Yamazaki (February 2, 1978).
Neil Welch, Continuous Resonance Project
Date: 01/22/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically.
The image “Untitled” accompanying today’s post by Burk Uzzle (1975).
Neil Welch, Continuous Resonance Project
Date: 01/20/2014
Instrument: Tenor saxophone
Location: Home studio in Clinton, WA (Whidbey Island)
Performed acoustically.
The image “Artificial Lightening Made in a Laboratory” accompanying today’s post by Westinghouse Electric & Mfg. Co., NY.