08/21/2013 (12 Moons Solo Project Day 233)

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12 Moons Solo Saxophone Project Day 233

Date: 08/21/2013

Instrument: Soprano saxophone

Location: Beside a tributary while hiking out of the Necklace Valley.   North Cascade range in WA state.

From August 18th-21st I hiked into the Necklace Valley with my friend and fellow musician Cameron Peace.  In total, we covered approximately 30 miles of very strenuous backpacking, including well established hiking trails, game trails, rock scrambling, and short crossings over alpine glaciers.  The three recordings from August 19th-21st detailed my experiences in some of the locations we visited.

Day 3: August 21st.  Hiking out of the valley

Notes:

On the 9 mile march out of Necklace Valley, we stopped alongside a tributary to rest and eat some food.  The tributary itself flows into the East Foss River.  The raging river below us created a thicket of sound that inspired me, despite being very tired, to pull out my horn and improvise along side it.  

During this improvisation I wanted to capture both the persistent drone of the river, but also the individual punctuations of sound that occur within it.  During this piece I would stare at a boulder, old log or waterfall and try to hone in on the sound in that small bit of this river environment.  This was reflected in my improvisation, in that I would use tiny recurring melodies, and try to incorporate the drone of the river and my own “drone” within them.  My drone in this piece was firing up a deluge of sound in my horn, including high whistle tones and clusters of undulating sounds.

-Neil

The image accompanying today’s post a tributary flowing into the East Foss River.  

08/20/2013 (12 Moons Solo Project Day 232)

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12 Moons Solo Saxophone Project Day 232

Date: 08/20/2013

Instrument: Soprano saxophone

Location: Some distance into the woods near Locket Lake.  Located in the Necklace Valley and part of the North Cascade range.  WA state.

From August 18th-21st I hiked into the Necklace Valley with my friend and fellow musician Cameron Peace.  In total, we covered approximately 30 miles of very strenuous backpacking, including well established hiking trails, game trails, rock scrambling, and short crossings over alpine glaciers.  The three recordings from August 19th-21st detailed my experiences in some of the locations we visited.

Day 2: August 20th.  Second full day in the valley.

Today we explored the floor of Necklace Valley and the high mountains above it.  We hiked to the far side, coming almost a stones throw from an enormous glacial cirque.  We then forged our own path up the mountain, using the map to walk and climb over 2 miles of a rock slide.  We emerged at the top to find lake after lake, with gorgeous views of the North Cascades all around us.  

After returning to camp at Locket Lake, I walked some distance into the woods and set up my mic at the base of a large Doug Fir.  A creek running out of nearby Al Lake can be heard in the foreground.  I recorded this improvisation first thing in the morning before the sun had fully permeated this part of the forest.  I found a warm patch of sunlight to practice in, and began the process of arriving at this improvisation.  

In today’s piece I wanted to explore the persistent change of the forest.  In what can look like a permanent, unevolving environment, there is of course a torrent of action taking place at all times.  I explored this dynamic environment by using a single fingering with a repetitive, medium tempo pacing, and using my embouchure to uncover sound within the horn.  The fingering was as follows:

(Left Hand) B-A keys, Low Bb // (Right Hand) F-E-D keys, Low C

-Neil

The image accompanying today’s post is a trail leading up to the Necklace Valley.  WA state.

08/19/2013 (12 Moons Solo Project Day 231)

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12 Moons Solo Saxophone Project Day 231

Date: 08/19/2013

Instrument: Soprano saxophone

Location: Beside Locket Lake, located in the Necklace Valley and part of the North Cascade range.  WA state.

Notes:

From August 18th-21st I hiked into the Necklace Valley with my friend and fellow musician Cameron Peace.  In total, we covered approximately 30 miles of very strenuous backpacking, including well established hiking trails, game trails, rock scrambling, and short crossings over alpine glaciers.  The three recordings from August 19th-21st detailed my experiences in some of the locations we visited.

Day 1: August 19th.  First full day in the valley.

Locket Lake is only accessible by foot, and the trail leading to it is very tenuous at best.  The lake can only really be reached by prior knowledge of its existence from a map, and then using the map as a guide to locate it.  Locket is a medium sized, crystal clear alpine lake fed by visible glaciers in the mountains above it.  It’s tucked neatly within steep-walled mountains of earth and rock.  On my second day of the trip and our first full day at this location, I played alongside the lake.  I was amazed by the extraordinary reverberation of my horn across the landscape.  I played for at least an hour, exploring this natural echo, the likes of which I’ve never heard before.  Lines on the horn seemed to suspend in time, only to come back in full-blocked chords that rang and rang around the lake.  Today’s improvisation was an energy piece that explored this reverberation.  Unfortunately, there was an error in recording and the delay in this improvisation in inaudible.  This is a shame, but the audio captured here can be perceived an an “unfinished” improvisation, and the missing spaces once filled in with overlapping reverb can become true again in the listeners imagination.  It still rings clearly in my ears.

-Neil

The image accompanying today’s post is Locket Lake in the Necklace Valley.  WA state.

12 Moons Days 232-234 will be delayed

12 Moons World Listeners/Viewers:

I’m backpacking in the wilds of the North Cascades from Sunday (08/18)- Wednesday (08/21).  Posts 232-234 will be delayed until Wednesday or Thursday.  Thanks for your patience!

I’ll be carrying my soprano out there as well and looking forward to playing and recording in the incredible natural landscapes of this territory.

Take care everyone!

-Neil

08/18/2013 (12 Moons Solo Project Day 230)

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12 Moons Solo Saxophone Project Day 230

Date: 08/18/2013

Instrument: Tenor saxophone

Location: Home studio in Clinton, WA (Whidbey Island)

Notes:

This improvisation deals with ascending shapes, both in pitch content and in harmony.  I wanted to create a singular world in three parts, each of those parts being a sonic environment complimentary to one another.  To do this I used three fingerings, each physically within the same region of the instrument, meaning the keys being opened and closed were spaced only a few centimeters from one another.  I made use of a constant trill in the right hand during this improvisation which helped to link each of the three sound worlds together.  The fingerings used were as follows:

Fingering 1:

(Left Hand) B-A-G keys, Octave // (Right Hand) F-E-D keys.  Trill the F in the right hand constantly.

Fingering 2:  

(Left Hand) B-A-G keys, Octave // (Right Hand) F-E-D keys, Palm Eb.  Trill the F in the right hand constantly.

Fingering 3: 

(Left Hand) B-A-G keys, Octave // (Right Hand) F-E-D keys, Fork F.  Trill the F in the right hand constantly.

From the base point at which the sound would emerge from the horn, I used my embouchure to begin gently bending the air upward into the altissimo register of the instrument.  From there I would, when I felt the timing was correct, shift to the next fingering.  I gave myself liberty to move back and forth between the fingerings, but generally I tried to give the piece an overall shape of ascension.  Even the key clacking used in this piece itself rose in pitch.  When cycling any of the fingerings above, tones emerge from the horn with or without air.  However, when blowing even a small amount of air into the horn the “root” pitches will still sound, the same as if I were blowing at regular volume.  But if I stop the air flow and let the tones resonate against the bell, the pitch shifts upward slightly.  In this way, I used even the halting of air to contribute toward the theme of ascension.

-Neil

The image “Christina’s World” accompanying today’s post by Andrew Wyeth (1948).